Documents & Audiences

Narrative practices have a rich history of creating and sharing documents and engaging audiences. Here we look at a number of different ways of doing this!

Image from Shaun Tan’s book – The Red Tree

One of the early defining characteristics of narrative therapy was the creative use of documentation or the written word.

In this video presentation, David Newman describes the ways in which he is using living documents with young people in an inpatient ward.   

Further reading:

Here is an earlier paper by David Newman describing his use of the written work within narrative therapeutic practice: Rescuing the said from the saying of it by David Newman

 


 

This paper illustrates how we can use four different categories of document. Examples of each of the following documents are offered and the author also shares some of his experiences, dilemmas and learnings in creating therapeutic documentation.

Letters recording a session

Documents of knowledge and affirmation

News documents &

Documents to contribute to rites of passage

Using Therapeutic Documents Hugh Fox 

 


 

Ncazelo Nucbe-Mlilo is a Zimbabwean psychologist and narrative therapist living and working in South Africa. Here, she introduces the ‘Narratives in the suitcase’ project which seeks to use journey metaphors and creative documentation to assist child refugees.

This work is inspired by the work of Glynis Clacherty and The Suitcase Project (see link below). It also draws upon ideas from Sherri Osborn.

 

 


 

In this paper we read responses to the following 8 questions.

1. What is meant by the term outsider witness?

2. Why is it important for there to be witnesses to preferred stories?

3. What is the history of these ideas and ways of working?

4. What are definitional ceremonies?

5. What sort of responses do outsider witnesses make?

6. What are some of the common hazards of outsider-witness practice and how can these be avoided? Do you have any helpful hints about these?

7. What are the different contexts in which outsider-witness work takes place?

8. What do you enjoy most about outsider-witness practices?

Marilyn O’Neill, Hugh Fox, Gaye Stockell, Anne Schober, Jeff Zimmerman, Emily Sued & Dirk Kotzé all provided material which Maggie Carey, Shona Russell compiled and which David Denborough’s editing and writing brought together in the following article.

Outsider Witness Practices Paper 


 

 

 

For Reflection

 

What forms of documentation might be most relevant or resonant in your context?

 

Are there particular ideas or practices you found within these materials you might draw on in your future meetings with people?

 


 

Have any of these questions got you hooked? Have you got another question you would like to pose to those joining you in this online learning? Please let us know below! Please include where you are writing from (City and Country). Thanks!


This Post Has 267 Comments

  1. jackie.turner

    The letters and notes to clients really resonated with me and I feel is something that will be useful in my work with Children and young people around bereavement and loss.
    I also feel that I have over the years fallen into the confidentiality trap. The idea of negotiating sharing letters and conversations with outsider witnesses is an idea that really excites me as I can see the benefits and how it is used to thicken new stories for individuals and how it can be a tool to support them to open new chapters.

  2. pamelaformica@gmail.com

    Really appreciate reading about the dangers of applause when acting as an outsider witness and I can also see how this reflection about the drawbacks can apply to the therapist as well.

  3. Peta

    A question: With regard to the ‘outsider witness’ process, could the person who is working with a therapist invite someone to tell more of the story of their life (and life problem) so that the therapist can ‘thicken the story’. If the person in therapy is reluctant to tell their story, or has a very thin sense of it, there could be a benefit in the therapeutic experience for there to be a wider frame to explore the narrative. Rather than being told the story which can be affirmed, a close family member, or friend, may be able to tell a story which can thicken the narrative so that the issues can be viewed in a wider frame. For instance, a person with low self worth and a thin story about their gifts and achievements would gain a great deal from a witness who can add missing pieces to that thin story.
    I am unclear if this ‘reverse process’ from the examples in the paper could be accommodated within the intentions within the outsider witness model of care.
    Peta Christchurch

  4. EdaUtku

    Hello, Eda from Sydney. In my community, (Lane Cove in Sydney’s north) I feel that films pulled together from photographs of significant events of someone’s life might be a good reminder of their strengths. The story structure shown in films, the hero’s journey, might help in thinking of life’s challenges, externalised behaviours as mountains/fires/floods/hurricanes that can be overcome with support from mentors and allies.

  5. Shonelle

    I found the concepts around words stolen by trauma and caution surroundings the spoken word interesting. Particularly at the moment as we are using many forms of media to provide services , such as email or txt conversations via the internet.
    Shonelle central Victoria

  6. Libby

    Libby – The opportunity for creativity in documenting and witnessing a person’s story is quite exciting to me. In my role working within the medical model of the health system, I can see that the opportunities may be limited by the expectations of the professional knowledges that surround us but I also relish the idea of finding ways to allow people to hear and re-hear, to see and re-see, to celebrate, wonder about and claim their preferred stories, their skills and their knowledges. Reckon it can happen??

  7. Ladan

    I found the talk on Narratives in the suitcase project described by Ncazelo Nucbe-Mlilo very important especially with working with children who have gone through a process of migration. Often times, children and people who have been displaced or have fled a country are dehumanized and degraded by citizens of the hosting country. The suite case project allows for the children to share their stories as well as documenting their journey of aspirations.

  8. Chrissy Gillmore

    I love the ideas of having living documents too. I work with youth in Aotearoa, New Zealand, and I have found many common issues across students. A ‘kete’ (basket) full of skills and knowledge that students have used already would be an amazing resource to have.

    I also LOVE the idea of the suitcase narrative. However, for in Aotearoa I would make this more like the Kete Korero (although I’m not sure that is an exact translation, so will need to ask someone who knows more Reo than me!). The process of going through the five methodologies is GOLD. I could definitely see me working this into the veins of my kura (school)!

    Kia ora and thank you again for these courses

  9. Kelvin

    I am thinking that the ideas from the Suitcase Project” may be a creative way to engage at least some of the individuals work who live with the effects of a serious physical injury. The question I will be pondering is how to adapt the principles that guide this intervention for use with adults.

  10. Kelvin

    David Newman’s describe reflections on “living documents” reminded me that this is a theme that is present within some of the pastoral care literature (e.g., Gerkin “The Living Human Document”).

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