ethics

Posted by on Nov 15, 2016 in | 0 comments

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  • Toward a theory of relational accountability: An invitational approach to living narrative ethics in couple relationships— Thomas Stone Carlson and Amanda Haire

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    This paper describes an approach to couples therapy that seeks to help couples intimately apply the ethics of narrative ideas in their personal lives and relationships. This intimate application of narrative ideas is focused on helping partners to gain an appreciation for the shaping effects of their actions on one another’s stories of self and to engage in intentional relationship practices that nurture and positively shape the stories of self of their partners. While this approach to working with couples is centred in a narrative philosophy and ethics, alternative practices are presented to help couples challenge the negative effects of individualising discourses on their lives and relationships and to enter preferred relationship practices that are informed by a relational understanding of self and accountability.

  • On Critical thinking— Mary Heath

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    This paper begins by defining critical thinking and setting out a personal history of the author’s journey toward becoming a critical thinker. It considers two common barriers to critical thinking: cultural disapproval of critique; and confusing critical thinking with criticism. In response, it argues that rigorous thinking offers benefits—and not only risks— to cultures as well as individuals. It considers where cultural resources supportive of critique might be found. Further, it argues that critical analysis should be understood (and undertaken) as a process of collaborative support for rigorous thinking rather than as a form of hostile criticism. Some dimensions of critical thinking are outlined, together with questions which might allow readers to apply them to specific contexts. The paper closes with some reflections on the process of writing in which some of these dimensions of critical thinking are applied to the paper itself.

  • Talking about sex: Narrative approaches to discussing sex life in therapy— Ron Findlay

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    How do we discuss sex issues in therapy with a narrative and post-structuralist, postcolonial approach? This paper discusses the ethics and practices of narrative approaches to talking about sex in therapy. It discusses ways to reduce the influence of shame and embarrassment, promote local knowledge and skills, and to minimise the impact of the gender and sexuality of the therapist.

  • A first person principle: Philosophical reflections on narrative practice within a mainstream psychiatric service for young people—Philippa Byers and David Newman

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    This paper is a collaboration between David Newman, an experienced narrative therapy practitioner and teacher, and Philippa Byers, a narrative therapy student with an academic background in philosophy. The paper charts ideas developed during Philippa’s student placement with David, as they discussed narrative practice, other mental health practices and philosophy. The paper draws on philosophy of language and the philosophy of Paul Ricoeur, applying this to Michael White’s injunction to look (and listen) for the experience-near in the words and phrases that are offered to narrative therapists. It offers philosophical reflections on an ethical principle of narrative practice which Philippa and David call a first person principle. The first person principle is elaborated in a discussion of David’s narrative practice with young people. This offers philosophical and practical insights to some of the issues and questions that may arise for narrative therapists who, like David, practice within mainstream services, encountering ‘neuro’ and other professionalised discourses and accompanying expectations.

  • Witnessing practices of resistance, resilience and kinship in childbirth: a collective narrative project— Phoebe Barton

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    This article explores the in uence of sociocultural narratives on stories of birth, and the use of individual and collective narrative practices in responding to these stories. It emerged from a research project that included 12-recorded conversations with individuals and couples about their experiences of birth. The article describes narrative practices used in these conversations, including: re-authoring and the development of alternative storylines, particularly in response to stories of grief and regret about birth; deconstructing and externalising the context and narratives of birth, turning the gaze back onto structural or systemic issues rather than those at their affect; re-membering and strengthening stories of membership and connection during pregnancy, birth and early parenting; and the absent but implicit, including pain as testimony. The article discusses the methodology and ethics of a collective narrative project that included the production of a document that elevates the insider knowledges of storytellers about their experiences of birth.

  • Narrative practice as an ethical position and the moral legitimacy of narrative therapy— Christoffer Haugaard

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    Narrative practice involves questioning and resisting dominant cultural truths in both its theory and practices. It may even function as a form of activism. This paper attempts to raise questions about the good of such an activism and the moral legitimacy of practitioners engaging the people who consult them in cultural resistance. I shall attempt to extract hints of an implicit ethical position in narrative practice, and point to a moral rationality for raising questions about the legitimacy of acts of cultural resistance, and suggest some possible implications of such an enquiry. This draws on the ideas of moral philosopher, Alasdair MacIntyre.

2,027 Comments

  1. In one of my groups it seemed there was a desire to talk about food preparation and sharing food. This discussion started informally before the group started. I allowed it to continue and asked ways in which participants have built community in their lives. What made this possible was the fact that I was running the group alone without a co-facilitator, allowing me to be more flexible in my approach. Organizational rules of what my group was “supposed” to focus on could prove a barrier to this collaboration.

  2. I liked this paper – I find that after I do my harm reduction groups, I am wondering what to write in the process note. I think I will try asking the participants of the group to suggest what I might include.

  3. Hello my name is Christopher Hanlon, I live in LIghthouse Point, FL. I am interested in learning how macro and micro social work practice may be intertwined. I loved article 4 in the above proposed charter that stated: the person is not the problem, the problem is the problem. Getting away from the individual and more to systemic causes. Just beginning this journey. I don’t like seeing problems through the limited lens of pathology – one in which my MSW clinical social work program seems to promote. I welcome any feedback!

  4. I’m Clayre Sessoms from Vancouver, BC, Canada, traditionally known as Coast Salish Territories. I acknowledge that my work takes place on the ancestral, unceded, and occupied territories of the xʷməθkwəy̓əm (Musqueam), səl̓ílwətaʔɬ (Tsleil-Waututh), Skwxwú7mesh (Squamish), Nations of the Coast Salish People whose relationship with the land is ancient, primary, and enduring. I’m an uninvited settler in what is colonially known as Vancouver. Because my place of work is on stolen land I commit to support a reconciliation, which includes reparations and the return of land. Here I study counselling psychology and art therapy, and I get to incorporate narrative therapy at my practicum placement, a site that provides free counselling services for LGBTQ2S individuals.

    These materials help me to begin to wrap my head around the complexities of narrative therapy. I especially enjoyed learning about how others have used narrative therapy in practical counselling settings.

    I’m moved by how we often tend to hear, accept, or retell the thinnest stories of our lives and the lives of others. I imagine that not valuing the richness of an individual’s diverse range of stories, perhaps, it has been much easier to cling to tired old preconceived notions about others, which can cause undue harm.

    I’m left thinking about the TEDTalk by Chimamanda Adichie about the dangers of accepting a singular story of someone else, rather than leaning in and committing to understand the wholeness of that person’s narrative.

    I look forward to continuing to learn. Thank you to The Dulwich Centre for providing this accessible forum. <3

    • Hi Clayre,

      I am in a practicum as well, in New York City, working in a harm reduction center. I would also like to employ narrative therapy with participants in the program in one on one counseling sessions. I am glad to see you are doing it!

  5. in what ways have you entered into collaborations before? What made these collaborations possible?

    As a peer worker most of my work was entering into collaborations with young people. I would use curiosity to further inquire into their experience, and looking back wow these narrative practices would have been amazing to use in our youth group discussions! We would use art mostly in telling stories. Many of the young people heard voices and saw characters only they could see. They would enjoy painting these voices, externalising the character, giving it a name and talking about the story and nature of the relationship between the voice and the character. I also enjoyed illiciting these stories, as I could tell they would begin to separate themselves from the voices, allowing for guilt and shame to reduce.

    What might make it hard to enter into these practices?

    The one difficult way of entering into these practices was the note writing. The managerial culture of my last workplace meant it was not considered good practice to have clients sit with us to write notes. In fact most clients probably were unaware that workers did regularly make notes each time they had contact with the centre. We were a strengths based centre that thrived on person centred practice. I think there is a bit of a stereotype that note writing is quite clinical and removed from person centred practice, hence a certain avoidance of bringing up notes in front of clients.

    If these ways of working fit for you, what next steps could you take to build partnerships/collaborations in your work?

    I definitely believe I could continue to use art to help young people tell their alternative stories. In mental health many workers draw thin conclusions of clients – bipolar, poor attachment, violent, with even their strengths really talked about in third person. It would be great to start drawing peoples strengths out with the use of story telling, so that clients can start to own their strengths, rather than have clinicans cherry pick these out.

  6. Thank you to Tileah for a wonderful presentation. I love hearing the word “yarn” used in this powerful way (Americans also have that term). The practice of “translating”, of shifting concepts into language that can be more usefully heard, is very powerful. As coaches we can make good use of this to help clients uncover their hidden or forgotten resources.

  7. These stories are amazing examples of what we can discover when we hold onto our “beginner’s mind” and remember that the other person (client, patient) has the information and understanding, not us. We talk a lot in leadership development about “co-creating” and I think this is a beautiful example of two very complementary roles: the person who has the story and the person who helps to explore and shape it.

  8. I like the idea of narrative – there is something about giving people the power to create a narrative, rather than simply appearing in a story told by someone else. Within the narrative metaphor, I especially enjoy the fabric metaphor – the idea of strands. These may touch each other, or not, may go well together in tone or color, or not. But again, there is some power in creating and weaving the narrative.
    In my own work with coaching and leadership development, I find that the emphasis on narrative(s) helps make things more tangible, and therefore brings them to their true scale, instead of letting them take on imaginary and unclearly described proportions.

  9. I love this. Telling our stories in ways that make us stronger. Such a powerful sentiment. Sometimes through trauma, it is hard to access the words that really encapsulate that experience – though using the written word does help us access those hard to utter parts of our memories … in those cases though perhaps the story we tell ourselves is not one that makes us feel strong in the first instance – so finding a way to tell that story in a way that focuses on the strength of surviving to tell that story is just amazing!

  10. Hello all! My name is Krysta Rathwell and I am from a small town in central Alberta, Canada. I am currently completing my Masters in Counselling Psychology and have a Bachelor in Education Degree. I have just started my practicum and have been studying narrative therapy as that is what I am interested in pursuing.

    A narrative metaphor encompasses how a person is shaped by their stories. These stories have an impact on what people do or believe about themselves. Hearing clients’ stories, from their perspective, helps the therapist to understand their responses and gives the opportunity to seek to find hidden events or meaning.

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