Barbara Wingard

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  • A Conversation with Lateral Violence— Barbara Wingard

    $5.50

    Lateral Violence is the name given to the harmful and undermining practices that members of oppressed groups can engage in against each other as a result of marginalisation. This paper comprises an ‘interview’ with Lateral Violence, played by a senior Australian Aboriginal health worker. In this paper, Lateral Violence provides ‘its own’ exposé. It is hoped that this paper may be used as a script for running workshops on lateral violence.

  • Re-membering Reciprocal Relationships— Chris Dolman

    $9.90

    Re-membering conversations are one of the key maps of narrative therapy practice. This article explores some interrelationships between re-membering conversations and the principles of Just Therapy, along with the other narrative practices of ‘the absent but implicit’ and regarding distress as testimony, enquiring about personal agency, and naming injustice. This interweaving of theory and practice is shown through work with Aboriginal people in Murray Bridge, a rural town in South Australia.

    Free article

    Bringing Lost Loved Ones into Our Conversations: Talking About Loss in Honouring Ways (a reflection on Chris Dolman’s Re-membering Reciprocal Relationships) by Barbara Wingard

  • A storyline of collective narrative practice: a history of ideas, social projects and partnerships— David Denborough

    $9.90

    Collective narrative practice is an emerging field. Building on the thinking and practice foundations of narrative therapy, collective narrative practice seeks to respond to groups and communities who have experienced significant social suffering in contexts in which ‘therapy’ may not be culturally resonant. This paper tells a story of this emerging field. It describes the author’s journey through the intellectual history of six key aspects of narrative therapy as well as richly describing a range of social projects and partnerships. In doing so, this paper provides an historical foundation to the emerging field of collective narrative practice.

  • Stories of pride (a much loved previously published article) — Barbara Wingard

    $5.50

    In June 2001, Barbara Wingard, Cheryl White and David Denborough travelled to the USA to meet with people from African-American, Latino and Native American communities to talk through cultural protocols in relation to the upcoming International Narrative Therapy and Community Work Conference to be co-hosted by Dulwich Centre and Spelman College in Atlanta Georgia. The following piece of writing was created from an interview that took place on the banks of the Murray River upon our return to Australia. We’ve included this piece of writing because it powerfully makes the links between the experience of Aboriginal Australian, African-American, Latino and Native American communities.

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  1. I’m Clayre Sessoms from Vancouver, BC, Canada, traditionally known as Coast Salish Territories. I acknowledge that my work takes place on the ancestral, unceded, and occupied territories of the xʷməθkwəy̓əm (Musqueam), səl̓ílwətaʔɬ (Tsleil-Waututh), Skwxwú7mesh (Squamish), Nations of the Coast Salish People whose relationship with the land is ancient, primary, and enduring. I’m an uninvited settler in what is colonially known as Vancouver. Because my place of work is on stolen land I commit to support a reconciliation, which includes reparations and the return of land. Here I study counselling psychology and art therapy, and I get to incorporate narrative therapy at my practicum placement, a site that provides free counselling services for LGBTQ2S individuals.

    These materials help me to begin to wrap my head around the complexities of narrative therapy. I especially enjoyed learning about how others have used narrative therapy in practical counselling settings.

    I’m moved by how we often tend to hear, accept, or retell the thinnest stories of our lives and the lives of others. I imagine that not valuing the richness of an individual’s diverse range of stories, perhaps, it has been much easier to cling to tired old preconceived notions about others, which can cause undue harm.

    I’m left thinking about the TEDTalk by Chimamanda Adichie about the dangers of accepting a singular story of someone else, rather than leaning in and committing to understand the wholeness of that person’s narrative.

    I look forward to continuing to learn. Thank you to The Dulwich Centre for providing this accessible forum. <3

  2. in what ways have you entered into collaborations before? What made these collaborations possible?

    As a peer worker most of my work was entering into collaborations with young people. I would use curiosity to further inquire into their experience, and looking back wow these narrative practices would have been amazing to use in our youth group discussions! We would use art mostly in telling stories. Many of the young people heard voices and saw characters only they could see. They would enjoy painting these voices, externalising the character, giving it a name and talking about the story and nature of the relationship between the voice and the character. I also enjoyed illiciting these stories, as I could tell they would begin to separate themselves from the voices, allowing for guilt and shame to reduce.

    What might make it hard to enter into these practices?

    The one difficult way of entering into these practices was the note writing. The managerial culture of my last workplace meant it was not considered good practice to have clients sit with us to write notes. In fact most clients probably were unaware that workers did regularly make notes each time they had contact with the centre. We were a strengths based centre that thrived on person centred practice. I think there is a bit of a stereotype that note writing is quite clinical and removed from person centred practice, hence a certain avoidance of bringing up notes in front of clients.

    If these ways of working fit for you, what next steps could you take to build partnerships/collaborations in your work?

    I definitely believe I could continue to use art to help young people tell their alternative stories. In mental health many workers draw thin conclusions of clients – bipolar, poor attachment, violent, with even their strengths really talked about in third person. It would be great to start drawing peoples strengths out with the use of story telling, so that clients can start to own their strengths, rather than have clinicans cherry pick these out.

  3. Thank you to Tileah for a wonderful presentation. I love hearing the word “yarn” used in this powerful way (Americans also have that term). The practice of “translating”, of shifting concepts into language that can be more usefully heard, is very powerful. As coaches we can make good use of this to help clients uncover their hidden or forgotten resources.

  4. These stories are amazing examples of what we can discover when we hold onto our “beginner’s mind” and remember that the other person (client, patient) has the information and understanding, not us. We talk a lot in leadership development about “co-creating” and I think this is a beautiful example of two very complementary roles: the person who has the story and the person who helps to explore and shape it.

  5. I like the idea of narrative – there is something about giving people the power to create a narrative, rather than simply appearing in a story told by someone else. Within the narrative metaphor, I especially enjoy the fabric metaphor – the idea of strands. These may touch each other, or not, may go well together in tone or color, or not. But again, there is some power in creating and weaving the narrative.
    In my own work with coaching and leadership development, I find that the emphasis on narrative(s) helps make things more tangible, and therefore brings them to their true scale, instead of letting them take on imaginary and unclearly described proportions.

  6. I love this. Telling our stories in ways that make us stronger. Such a powerful sentiment. Sometimes through trauma, it is hard to access the words that really encapsulate that experience – though using the written word does help us access those hard to utter parts of our memories … in those cases though perhaps the story we tell ourselves is not one that makes us feel strong in the first instance – so finding a way to tell that story in a way that focuses on the strength of surviving to tell that story is just amazing!

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