exoticising the domestic

Posted by on Sep 22, 2016 in | 0 comments

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  • Words from the brink of the chasm: Poetic, bibliotherapeutic writing in narrative therapy – the use of literary texts and the discovery of preferred stories— Michal Simchon

    $9.90

    This article aims to integrate bibliotherapy and narrative therapy. The use of writing and reading processes can help reveal preferred stories. Asking people to talk about themselves and tell their life stories using excerpts from poems makes their story unique and exotic. Writing in this fashion empowers their experiences and exposes the details of the unique outcome that are embedded in the text. Similarly, this type of writing enables people to express experiences that are difficult to articulate in ordinary words. This article demonstrates the contribution of therapeutic writing and the discourse that arises from it for narrative therapy that is usually conducted orally.

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    This article comes with a companion piece:

    Toward a poetics of therapy: A response to Michal Simchon’s ‘Words From the Brink of the Chasm’— Steve Armstrong

    This is a complementary piece in response to Michal Simchon’s observations about the integration of bibliotherapy and narrative therapy in ‘Words From the Brink of the Chasm’ (2013). I make some suggestions about what might be called the poetics of therapy. In particular, how poetry can enliven therapeutic conversation; how poems and a poet’s passion for precise word choice, help guard against stale imagery or description and can aid in locating vivid descriptions for lived experience that might otherwise be practically beyond words. Based on Simchon’s discussion of free-writing in groups and Bachelards’ Poetics of Reverie (1969), I offer a re-imagining of White and Epston’s (1990) landscape of action and consciousness.

     

  • Troublemaker Cards: Promoting the language of responsibility and prevention in men’s domestic violence— Ryan Greenwell

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    This paper describes the use of Troublemaker Cards in men’s domestic violence behaviour change groups as an innovative approach to expose and challenge the dominant ways of being and thinking that support men’s violence and abuse towards women. While language that minimises men’s responsibility-taking for their actions is available and ubiquitous, the Troublemaker Cards offer an alternative, and promote the gendered and political understandings of violence and abuse in a respectful parallel journey of discovery. The externalising language used on the cards keeps the men’s identities separate from these discourses, and yet supports an attentiveness to their relationship with them. Guided by the cards in a ‘cool engagement’, the men are invited to explore and deconstruct the Troublemakers as well as build the foundations for second-story development. Evidence from practice suggests that once men experience this separation and foresee alternative territories to step into, they can better describe their relationship with the ‘Troublemakers’ in a ‘hot engagement’. In a context of accountability to women and children, the men create opportunities to propose how they will prevent potential future abuses and take action based on preferred relationships to the Troublemakers, such that they are not unwittingly reproducing dominant ways of being.

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  1. I’m Clayre Sessoms from Vancouver, BC, Canada, traditionally known as Coast Salish Territories. I acknowledge that my work takes place on the ancestral, unceded, and occupied territories of the xʷməθkwəy̓əm (Musqueam), səl̓ílwətaʔɬ (Tsleil-Waututh), Skwxwú7mesh (Squamish), Nations of the Coast Salish People whose relationship with the land is ancient, primary, and enduring. I’m an uninvited settler in what is colonially known as Vancouver. Because my place of work is on stolen land I commit to support a reconciliation, which includes reparations and the return of land. Here I study counselling psychology and art therapy, and I get to incorporate narrative therapy at my practicum placement, a site that provides free counselling services for LGBTQ2S individuals.

    These materials help me to begin to wrap my head around the complexities of narrative therapy. I especially enjoyed learning about how others have used narrative therapy in practical counselling settings.

    I’m moved by how we often tend to hear, accept, or retell the thinnest stories of our lives and the lives of others. I imagine that not valuing the richness of an individual’s diverse range of stories, perhaps, it has been much easier to cling to tired old preconceived notions about others, which can cause undue harm.

    I’m left thinking about the TEDTalk by Chimamanda Adichie about the dangers of accepting a singular story of someone else, rather than leaning in and committing to understand the wholeness of that person’s narrative.

    I look forward to continuing to learn. Thank you to The Dulwich Centre for providing this accessible forum. <3

  2. in what ways have you entered into collaborations before? What made these collaborations possible?

    As a peer worker most of my work was entering into collaborations with young people. I would use curiosity to further inquire into their experience, and looking back wow these narrative practices would have been amazing to use in our youth group discussions! We would use art mostly in telling stories. Many of the young people heard voices and saw characters only they could see. They would enjoy painting these voices, externalising the character, giving it a name and talking about the story and nature of the relationship between the voice and the character. I also enjoyed illiciting these stories, as I could tell they would begin to separate themselves from the voices, allowing for guilt and shame to reduce.

    What might make it hard to enter into these practices?

    The one difficult way of entering into these practices was the note writing. The managerial culture of my last workplace meant it was not considered good practice to have clients sit with us to write notes. In fact most clients probably were unaware that workers did regularly make notes each time they had contact with the centre. We were a strengths based centre that thrived on person centred practice. I think there is a bit of a stereotype that note writing is quite clinical and removed from person centred practice, hence a certain avoidance of bringing up notes in front of clients.

    If these ways of working fit for you, what next steps could you take to build partnerships/collaborations in your work?

    I definitely believe I could continue to use art to help young people tell their alternative stories. In mental health many workers draw thin conclusions of clients – bipolar, poor attachment, violent, with even their strengths really talked about in third person. It would be great to start drawing peoples strengths out with the use of story telling, so that clients can start to own their strengths, rather than have clinicans cherry pick these out.

  3. Thank you to Tileah for a wonderful presentation. I love hearing the word “yarn” used in this powerful way (Americans also have that term). The practice of “translating”, of shifting concepts into language that can be more usefully heard, is very powerful. As coaches we can make good use of this to help clients uncover their hidden or forgotten resources.

  4. These stories are amazing examples of what we can discover when we hold onto our “beginner’s mind” and remember that the other person (client, patient) has the information and understanding, not us. We talk a lot in leadership development about “co-creating” and I think this is a beautiful example of two very complementary roles: the person who has the story and the person who helps to explore and shape it.

  5. I like the idea of narrative – there is something about giving people the power to create a narrative, rather than simply appearing in a story told by someone else. Within the narrative metaphor, I especially enjoy the fabric metaphor – the idea of strands. These may touch each other, or not, may go well together in tone or color, or not. But again, there is some power in creating and weaving the narrative.
    In my own work with coaching and leadership development, I find that the emphasis on narrative(s) helps make things more tangible, and therefore brings them to their true scale, instead of letting them take on imaginary and unclearly described proportions.

  6. I love this. Telling our stories in ways that make us stronger. Such a powerful sentiment. Sometimes through trauma, it is hard to access the words that really encapsulate that experience – though using the written word does help us access those hard to utter parts of our memories … in those cases though perhaps the story we tell ourselves is not one that makes us feel strong in the first instance – so finding a way to tell that story in a way that focuses on the strength of surviving to tell that story is just amazing!

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